Erotica vs Erotic Romance by Nan De Plume
On November 15, 2019, the ask@AAR posted the topic, “Can we discuss the term “clean” romances?” It was a great question that inspired a lot of discussion not just about “clean” romances but heat levels in general from no-sex to burning hot erotica. During this topic, Caz Owens kindly gave me a shout out, hoping I could provide an industry standard definition for erotica. Then Dabney Grinnan jumped in, saying there is a lot of confusion between erotica and erotic romance. Upon reading the posts, I was pleased to give what I hoped was a satisfactory response to their questions. As a self-published erotica and erotic romance author, I am not privy to the inner workings of traditional publishers of erotic literature. But I was flattered two members of the AAR team still thought I had something valuable to contribute to the topic. The next thing I knew, Ms. Grinnan asked me to write a guest blog post on the subject. So here I am, thrilled at the opportunity and ready to roll.
To reiterate my prior comments, let’s start with the basic overlapping feature between erotica and erotic romance: sex. Both erotica and erotic romance stories must contain explicit sex in order to be classified as such. There is, however, one exception to this rule: certain fetishes that do not involve conventional sexual practices. For a relatively tame example, a reader may have a fetish for women popping balloons. In this case, if the erotica or erotic romance author writes a heroine who pops balloons in a manner meant to entice the reader with said fetish, then the story can still be considered erotic despite the absence of explicit sex scenes of a more orthodox variety.
Now, let’s look at some of the differences between the two genres, starting with erotica. In erotica, sex is the foundation of the story. The character or characters are going on some kind of sexual journey, whether that journey is a one-night stand, a long-term relationship, or maybe even a personal exploration of some kind (i.e. a journey of self-discovery). Unlike romance, erotica industry standards do not require an HEA or HFN, although an erotic story may end happily- in more ways than one!
What separates erotica from pornography is an ill-defined line and the subject of much debate. I think of erotica as written and pornography as visual, but even this distinction may be overly broad. After all, both art forms are designed to entice and arouse. But erotica generally has a plot and explores the characters’ emotions. Pornography, on the other hand, focuses solely on the sex. The situations in erotica and pornography may be the same, but they differ in their presentation.
For illustrative purposes, let’s look at the cliché of a bored housewife answering the door to a pizza guy about to deliver the extra-large sausage. In pornography, we usually don’t even get to learn the characters’ names. As far as we know, they are just “Housewife” and “Pizza Guy.” If there is an explanation for why Housewife and Pizza Guy have sex after knowing each other for less than 30 seconds, it’s generally a shaky one- often with bad acting to boot. Then, in the course of the scenario, there’s a (probably) fake orgasm from the woman, a real orgasm from the man, and a rapid conclusion. And that’s about it. There is no story or an extremely thin one at best.
In contrast, let’s look at how Housewife and Pizza Guy may be presented in an erotica. Since most erotica works published through KDP are probably short stories, let’s pretend these characters exist in a world consisting of approximately 5,000 words. Naturally, an erotica can range in length from a 2,500 word short to a 100,000+ word epic, just like any other type of story. But 3,000 to 8,000 words is the sweet spot for self-published erotica titles. This means there isn’t a lot of room for storytelling, so the essential elements of goal, motivation, and conflict need to be compressed. But it is definitely possible.
To begin, Housewife and Pizza Guy in our erotic short story have names. Let’s call them Sherry and Mike. Now, because this is an erotica and not a pornography, there needs to be a reason why Sherry the housewife opens the door to Mike the pizza guy and why Mike has shown up at the door at all. In short, what is the plot? Did Sherry specifically call Mike the pizza guy because he has a reputation for seducing bored housewives? If so, why is she a bored housewife? Does her husband neglect her? Maybe her husband cheated on her and she wants to take revenge by having sex with an attractive young delivery man. What’s good for the goose is good for the gander! Or maybe Sherry isn’t cheating at all. What if, in an effort to spice up her love life, she and her husband Mike are actually roleplaying housewife and pizza guy, having fun pretending to be in a clichéd porn scenario?
With a goal of approximately 5,000 words for an erotica short, there isn’t enough time or space to go into a lot of backstory. Sometimes a sentence or two is sufficient to set up the scene. Another couple of sentences can be used to establish character motives. And then, this being an erotica, the brief introduction should quickly transition into sexy times for Sherry and Mike. But keeping in mind this is not a pornography, the author should describe not only the mechanics of their explicit sex but the characters’ thoughts and feelings. Does Sherry feel naughty for cheating on her husband? Turned on? Worried? Regretful? Or if she’s actually roleplaying with her husband, does she feel kittenish? Silly? Embarrassed? Totally into it? Whenever possible, the writer should show rather than tell the emotions in play. How exactly does Sherry show her feelings during sex? Does she giggle nervously, pretend to be shy by covering herself and glancing away, or sport a bold smirk as she gives Mike a playful slap on the rump? Maybe during the course of sex, she does all three and then some. Regardless of what the characters do in a given erotica, every action depicted should be revealing in some way- both physically and emotionally.
Here’s a quick aside: although an erotica writer can certainly write from both Sherry and Mike’s perspectives, which is common in romance novels, I prefer to stick to one viewpoint like writers are expected to do in other genres. For erotica in particular, where so little else is hidden, adhering to only one point of view can help keep the other character appropriately mysterious.
Let’s get back to Sherry and Mike. Like pornography, an erotic story can end after they each have an orgasm, but there are other possibilities for wrapping up the story. And being an actual story, an erotica should have some kind of satisfying conclusion. (This isn’t to say that mutual orgasms can’t constitute a satisfying conclusion!) For example, does Sherry’s affair give her a sneaky sense of accomplishment for getting back at her cheating husband? Or does she feel guilty? Does her husband discover her secret on the last page? If so, what happens? Given that this is an erotica, he might actually be turned on by it. Or if she wasn’t cheating, but roleplaying with her husband, did they enjoy the experience? Maybe they decide together that Sherry needs special deliveries of extra-large sausage a little more often. No matter what the conclusion, there should be at least a sentence or two to keep the story from ending too abruptly.
Phew! That was a lot to unpack. But now that we have some examples of what erotica is and isn’t, let’s look at erotic romance. Unlike erotica, erotic romance must follow romance industry standards. That means the story must have a central romance and end with an HEA or HFN. Considering many romance novels published today include sex scenes, what determines whether a story should be classified as an erotica romance versus a steamy one? Is an erotic romance dependent upon the number of sex scenes, the number of people having sex in a particular scene, the inclusion of BDSM, and/or the use of sex toys? Not necessarily. Both romance and erotic romance novels can include these extra racy elements. But in an erotic romance, the explicit sex scenes are integral to the plot, whether those scenes are kinky or more conventional. It is through sex that the characters learn, grow, and develop- and the plot moves forward. If the author were to remove the sex scenes from an erotic romance, there would no longer be a story. Trying to “clean the story up,” so to speak, would destroy the work irreparably.
Let’s look at a specific example of an erotic romance, and see why removing the sex scenes would make the story collapse. Some time ago, I read the HR erotica Improper Proposals by Juliana Ross, published by Carina Press in 2014. Even though I don’t recall anything kinky, it still qualifies as an erotic romance rather than a hot HR because the plot itself is heavily dependent upon the bedroom scenes. With the caveat that I am describing the plot from memory, I think it is useful to examine why this story is best suited to the erotic romance genre rather than general historical romance.
The beginning of the story could easily be a typical HR: the heroine, a vicar’s widow in 1870 Berkshire, has set out to write an advice book for young, overwhelmed housewives. The hero, unsurprisingly, is her publisher. But here is where the story takes an erotic turn: the first draft of Mrs. Boothroyd’s manual contains the usual how-to instructions for cooking, sewing, and other wifely arts, but her publisher shockingly suggests she should include information about the marriage bed. Furthermore, he wants her to explain not just the mechanics of the act but how marital sex can and should be blissful for women rather than a form of drudgery. From this scandalous suggestion, Mrs. Boothroyd and her publisher Mr. Cathcart-Ross begin a clandestine relationship in the name of “research.” As you can imagine, this premise is highly conducive to an erotic romance.
In accordance with the principle of “show, don’t tell,” the author brings the reader into the bedroom without censorship to demonstrate what kind of research the two leads perform in secret. She also shows how their, shall we say, literary endeavors, blossom into a loving relationship with the promise of an HEA. If the author were to leave the bedroom door closed, it would be akin to telling the reader how their relationship developed instead of showing the reader. True, romance novels outside of the erotica genre can definitely move the plot and relationship forward outside of the bedroom. But in an erotic romance, the majority of plot and character development occur during the sex scenes and pillow talk, so their explicit presence is essential.
So what’s a specific example of how erotic romance shows character development? In Improper Proposals, there is a pillow talk scene where Mrs. Boothroyd mentions how her first husband always had a stubbly face at night, which she found a bit irritating during sex. The hero then replies to the effect of, “So, why didn’t you ask him nicely to shave before coming to bed?” This is one of many pivotal moments for Mrs. Boothroyd. Despite her long and happy marriage, she felt inhibited in the bedroom, not by her husband, but by her perception of societal expectations for proper behavior from a vicar’s wife. These expectations, both real and imagined, prevented her from effectively communicating her desires. But with the help of the hero, she comes to realize there are kind ways to express intimate preferences to a spouse. And from her newfound sexual experiences with her lover, she recognizes the importance of including a section about positive sexual communication in her manual for young housewives. This type of conversation and the conclusions that follow are often best displayed in the bedroom, when the hero and heroine are in each other’s arms in the midst of afterglow. Setting their discussion in a less explicit location could feel forced and change the entire tone conveyed.
So those are the basics. If you would like to learn more about writing erotica for KDP, I highly recommend the YouTube video “Everything You Always Wanted to Know About Writing & Making Mega Profits With Erotica Kindle eBooks”. This 2 hour 38 minute audio recording with a Power Point presentation covers the do’s and don’ts of publishing erotica through KDP and gives concrete, useful strategies for maximizing readership. The audio and Power Point slides are annoyingly out of sync, but it is a valuable resource that helped me get started. For more specific tips regarding erotica plotting, writing for men vs women, and so forth, check out erotica author JJ Stuart’s YouTube videos.
Looking for erotic romance resources? Harlequin has an interesting 10 minute video about the erotic romance genre here: https://www.harlequin.com/shop/pages/guide-to-erotic-romance.html. Although Harlequin does not publish erotic material in their category romance lines, their imprint Carina Press does. Carina Press’s definition of erotic romance is available on their Submittable page under the “erotic romance” tab: https://carinapress.submittable.com/submit. For examples of their published erotic romances, check out their catalogue: https://www.carinapress.com/shop/category/erotic-romance.html. While most of their erotic romances are m/f contemporaries, you will note there are also m/m, f/f, and ménage as well as stories in the historical fiction, science fiction, and paranormal subgenres. Just like other categories of romance, erotic romance can feature a variety of characters, stories, and settings.
If you have any questions about erotica or erotic romance that I haven’t answered in this guest blog post, leave a comment and I will try to answer. Thank you, All About Romance for giving me the opportunity to reach out to romance, erotic romance, and erotica readers on your blog. Happy reading and writing, everyone!
Nan De Plume is a self-published erotica and erotic romance writer who is the proud creator of the Joey & Johnny Forever Series of Erotic Novellas. There are currently nine titles in this smoking hot m/m erotic romance series that balances dark and light moments. But an HFN is always guaranteed! Since novellas are a tough sell in any genre, De Plume also writes unabashedly smutty standalone erotica shorts. All titles are available on Kindle and Kindle Unlimited. Joey & Johnny novellas are also available in paperback.
Hey, everyone at AAR! I know this post is a bit old in internet terms, but I just wanted to share a paying erotica opportunity for those of you thinking of trying your hand at the genre. New Smut Project on Tumblr is seeking 50-2,000 word erotica flash fiction stories for their newest anthology “Erato.” You may submit up to three stories in any erotica subgenre (historical fiction, contemporary, etc.). Pay is $30 via PayPal. Deadline is May 1st, submission guidelines available here: https://newsmutproject.tumblr.com/submission_guidelines. Additional information available here: https://newsmutproject.tumblr.com/post/190791224314/some-faqs. Approximately 35-50 stories will be selected, so good luck!
Happy writing everyone! And yes, I already have my three pieces in the running. So wish me luck!
UPDATE: For those of you still thinking about writing an erotic flash fiction story for “Erato,” the editor recently posted a list of stories they still need. F/M historical fiction is in short supply, so if you have a racy Regency scene- or any time period for that matter- here’s your chance! Here is the link for current anthology needs: https://mumblingsage.tumblr.com/post/612843848750759936/mumblingsage-right-now-my-best-tip-for-writers. Good luck!
Thanks Nan!
Understanding the background to my guilty pleasure of KU barbarian gloms is nice.
I read erotica “in waves”.
I may not feel like it at all, skimming sex scenes in all my books, for months, and then suddenly, I am in the mood and can spend a week just trawling what I can find on KU.
And I totally get shorts and novellas for erotica – the investment is just right, the heat level works well, it is just a good match for me, and obvious or many others.
I am truly grateful for these new options, keeping a rainy day stash of erotica in paper books was much too complicated :-) and the quality just wasn’t good for rereads, mostly.
( though I still fondly remember Anne Rice’s trilogy under a pen name …. long long ago… she introduced me to kink, really – Roquelaure, she called herself for those)
Thanks Nan, enjoyed your contribution!
Thank you, Lieselotte for all your kind comments. I’m glad you found the article informative. I am always learning something new and also love sharing knowledge with others.
I definitely get what you mean about reading erotica “in waves.” I tend to read broadly (science fiction, romance, thrillers, literary fiction, historical fiction, nonfiction, etc.) but sometimes just feel the need to read some short, smutty fanfiction for fun.
“And I totally get shorts and novellas for erotica- the investment is just right…” Totally! I tend to read quite a few short stories outside of erotica because sometimes it’s nice to just read a self-contained story of 5,000+ words. It’s like a little compressed world that one can visit in a single afternoon. Plus, an erotic novel of 50,000+ words can often feel excessive. (Or in a lot of genres for that matter…)
As a writer, short stories and novellas are perfect for my fleeting attention span. While I sometimes fantasize about writing a 120,000+ word epic (in any genre), I know it’s unlikely given my flighty enthusiasms. Unless I can figure out a way to become more disciplined in my writing, I’ll stick to shorter storytelling formats for now. At least there’s always room for sequels.
Oh, goodness- Anne Rice. What a writer! I greatly enjoyed her historical fiction novel about the community of “gens de couleur libres” (free people of color) 1840s New Orleans, “The Feast of All Saints.” I highly recommend it. It is beautifully written and sensuous.
I hope when you’re “trawling” KU, you’ll give some of my shorts and novellas a try! I’m not sure what kinds of erotic stories tickle your fancy, but I have a variety of m/m, m/f, f/f, and ménage stories available. More are kinky than vanilla though because vanilla unfortunately doesn’t sell as well.
Thanks again for writing!
Will try, on the next “wave”
Many grateful thanks, Lieselotte! I hope you find something enjoyable in my catalog. I can’t promise the quality of the illustrious Anne Rice, but I do hope my stories are good for a few fun romps.
Thank you for a very informative and fun read! I am ashamed to admit I did not know the distinction between erotica and erotic romance and probably used the two names interchangeably. Now that you have spelled it all out of course it makes perfect sense!
As a long time romance reader I do think it’s interesting how far “main stream” historical romance has come- as what is perfectly acceptable in one now would have been considered erotica or XXX not so many years ago. I believe it was Robin Schone who couldn’t get one of her novels published years ago because it was just too “outside the box”. Today we wouldn’t even blink at what is included in it p, even in a plain old “historical romance” let alone an “erotic romance”.
I truly believe “Sex and The City” really did have a profound effect on how openly women discuss sex and it spread to the publishing industry as well. Publishers like Ellora’s Cave were kind of an underground offshoot originally and now a lot of the big “respectable” names like Harlequin (as you mention above) have their branches that handle erotic works.
I also think Amazon and the Kindle opened the market up as well by giving readers a nice anonymous looking device that allowed them to read the most risqué books in public without exposing the bare chested Barbarian man on the cover, lol.
You’re welcome! I’m so glad you found my post fun and informative. Thank you!
Mainstream romance has definitely come a long way since the old “bodice-rippers” and strict HEA guidelines. And I think self-publishing has helped move the genre in a more open direction. With competition from KDP, a lot of mainstream publishers have had to step up their game.
As for e=books, you are so right about the ability to read potentially embarrassing titles in private via anonymous looking devices. On that note, romance, erotica, and certain types of pulp fiction make up the bulk of e-book sales. Joe Biel of Microcosm Publishing in his book “The People’s Guide to Publishing” said something along the lines of e-books only do well for genres that people would be embarrassed to read on a public bus. Otherwise, they only make up about 5% of the overall book market (as opposed to 70+% of the romance market, if I remember correctly).
Plus, Kindle Unlimited is great for erotica and romance readers who breeze through titles and may want to try new titles/authors without making a large financial commitment.
Very informative post! I’ve learned something today. Also thank you for making writing erotica sound so accessible. I’ve been thinking of starting to write in that genre, because what scares me most about writing is also the plot so writing short vignettes sounds best to me.
I’m glad you found my post valuable and educational, Ms. Ruby. I try to learn something new every day.
If you are seriously thinking about writing erotica short stories, I can’t recommend that linked YouTube video enough. Amazon’s KDP is incredibly vague about their decency rules, probably because they don’t want to come out and say, “Hey, everybody! We’re totally okay with people publishing smut!”
The speaker in the embedded video gives excellent guidelines for what you can and cannot write about to avoid getting in trouble. Just for some quick examples, keep everything between/among consenting adults only (no rape), no incest (pseudo-incest between step=relatives is okay though), no hard drugs (alcohol, tobacco, and marijuana are generally okay though), and so forth.
Don’t be scared about the plotting- or plot holes for that matter! As long as you can tell a sexy story of about 5,000 words (2,500 is the minimum for publication through KDP), you don’t have to worry too much about the traditional three act story structure. JJ Stuart, to whom I also provided a link, said to just simplify your plot to Goal, Motivation, and Conflict. In other words, what does the main character want (usually in erotica, the goal is sex)? Why does the MC want it (revenge, spice up sex life, etc.)? And what is holding the character back (has to wait for hubby to go on business conference, is shy, etc.)?
Also, I’ve read in a few places that writing erotica can actually help authors improve their writing skills in other genres. I think it’s because you get a lot of practice when cranking out multiple stories as well as having to show rather than tell. You can’t tell the reader the MC is turned on, you have to demonstrate it- in explicit detail. And that, in and of itself, is excellent writing practice.
Thanks, Nan De Plume, for a really interesting column. I think it’s a great idea for AAR to invite contributions from the “membership” from time to time and I hope we have more in future. On a personal basis, I don’t read erotica except on the very odd occasion when a review or comment leads me to it for one reason or another. I do think there are some writers like Lisa Marie Rice who can tell a great story with some really hot sex though I am not sure if that’s erotica or just “hot”. I did love the 50 Shades trilogy and thought it was a real laugh and raced through them although many people I know thought it was dumbed down rubbish and thought I was nuts for reading them. Probably they enjoyed them as much as me but were ashamed to admit it! I think that a good dollop of humour helps in this particular genre.
I do wonder, though, about fetish/devotee stories like, for example, Equal Opportunities by Mathilde Madden. I just trawled through hundreds of my Amazon purchases over the last 21 years out of curiosity about what I have read (and mainly forgotten) and see that I read this one in 2008 so I looked again at the Amazon reviews. It seems that, like me, other readers were a tiny bit embarrassed and/or uncertain about reading it. However, there is a Special Title listing for disability in romance and many of us do like a dollop of it now and then. I do wonder, however, how many of us will admit to it.
Thanks again for your very comprehensive analysis.
Hooray! My first comment!
Thank you, Elaine s. for everything you said. I really was deeply honored to be invited by AAR to write this guest post and hope others get to share the same opportunity.
“I think that a good dollop of humour helps in this particular genre.” Oh, absolutely! Most if not all of my erotica stories have a healthy helping of humor. The speaker in the YouTube video linked above mentioned that she just doesn’t get how to write erotic comedy but salutes those who can. For me, I can’t imagine writing it without some humor.
Besides being fun, humor also acts as a shield for weak plotting. Plotting has always been my writing weak point, regardless of genre, so erotica appealed to me in that I could work around this handicap. This isn’t to say my work doesn’t have a plot, but it is a simplified one more akin to a vignette. When there’s humor in the mix, it’s also kind of a wink to the audience as in, “Hey, let’s lighten up a little. This isn’t going to masquerade as great literature. What you’re getting is a fun, dirty little story that may be over the top at times and include unbelievable scenarios. So let’s just let loose and have fun!”
Regarding “Fifty Shades of Grey,” I haven’t read it except for little excerpts. But hey! It sold millions of copies for a reason. People *enjoyed* it! And I admit, it was one of my inspirations for my work in the sense of, “Hey, here’s a book that started as fanfiction, doesn’t pretend for a moment to be great art (whatever the heck that means), and yet people liked it and it made big bucks. Maybe I can tap into that.”
“However, there is a Special Title listing for disability in romance and many of us do like a dollop of it now and then. I do wonder, however, how many of us will admit to it.” Oh, the hurt/comfort thing is quite big (it has its own tag in fanfiction) and I admit that I indulge in it a bit myself. Erotica is nice in the sense it is a fun, creative outlet that allows writers and readers to explore the uncomfortable or forbidden in a safe way.
“Thanks again for your very comprehensive analysis.” You’re welcome!
Ooh! I love what you did with my guest post, Ms. Grinnan and everyone on the staff at AAR! Thanks!
I’d just like to reiterate, I am happy to address questions, comments, concerns, criticisms, (condolences?) about erotica, erotic romance, and KDP policies in the comments section. Please also feel free to ask about my sources of inspiration, writing process, etc. I’ll try to keep things clean. :)
Great post! I don’t usually read erotic romance (except for Tiffany Reisz’s Original Sinners series) but the Juliana Ross novel sounds fascinating, especially the part where the hero and heroine communicate about sexual matters.
I’d like to ask if you’ve ever written erotic fanfiction? A lot of those go straight to the sex scenes because they don’t need to spend a lot of time establishing setting or character, so they’re a lot of fun even if they don’t make much if any profit.
Thanks for the kind words, Ms. Perera.
Back when I first read the Juliana Ross novel, I wasn’t quite sure what to think. It was the first erotic romance I ever read, so I was a little ambivalent about it. But as I revisited it in my mind, I remembered it more fondly than when I first read it. It really was an interesting story!
“I’d like to ask if you’ve ever written erotic fanfiction?” No, I haven’t. When I was a teenager, I wrote some fanfiction by hand with a friend of mine, and also on my own, but none of the stories were sexual in nature. And we didn’t post them online or anything. I have read other people’s fanfiction though, including some of the erotic ones.
“A lot of those go straight to sex scenes because they don’t need to spend a lot of time establishing setting or character, so they’re a lot of fun even if they don’t make much if any profit.” Oh, I agree it definitely helps to have a pre-established world. That’s why I’m a bit disappointed with Amazon for terminating their Kindle Worlds program after 5 years with no explanation given.
For those who aren’t aware, Kindle Worlds was a legally licensed fanfiction platform that fanfic writers could contribute to and make money off of. In their prime, they had more than 90 franchises where any American writer could create fanfiction and split the royalties among the author and Amazon. It was a 35%, 35%, 30% deal, if I recall.
The program, unfortunately, had some problems. One, it was only available to United States customers and authors. And two, with a few exceptions, the franchises they licensed were terribly obscure as in “The Royals of Monterra,” “Krinar Chronicles,” and “Toby Neal Mysteries.” The only big name licenses they had were “Veronica Mars,” “Pretty Little Liars,” and “G.I. Joe.” It was one of those opportunities I thought about, but I wasn’t a fan or knowledgeable about any of the franchises included.
When they shut down the program, the fanfic writers got the rights to their stories back provided they removed all traces of material/characters from the franchise. Maybe some were able to go the E.L. James route, but I think a lot of them just lost a fun source of income. So maybe it’s just as well I didn’t write for any of the series.
I would be stoked if something like Kindle Worlds becomes available again though. It would be especially nice if self-published authors like me could invite others to write fan fiction of their work and split the profits. But I imagine there would be a lot of legal complications with this kind of arrangement. Maybe that’s why Amazon ultimately discontinued their fanfic platform.
“…It would be especially nice if self-published authors like me could invite others to write fan fiction of their work and split the profits.”
The legal complications are probably why most of the franchises were obscure. And even then, the potential problems were probably not worth the risk. I once got into a debate on a discussion board because someone claimed it was wrong for the creators of original characters to keep the legal/artistic rights to those characters when other people also had strong emotional connections to those characters.
Sorry for the digression from erotica/erotic romance. I just thought of fanfics because back in the day I used to write Transformers fanfiction (G1, not the Michael Bay-verse) and some of those were erotic. They have to be credited with breaking down my Catholic-school-induced inhibitions, because I told myself that if I could write about giant alien robots having sex, I could write about anyone having sex.
Hey, no need to apologize for the digression. I think erotica and fanfiction are often intertwined. E.L. James, after all, originally wrote “Fifty Shades of Grey” as a Twilight fanfic.
That’s interesting about your writing Transformers fanfiction to help break down your inhibitions. I’m glad it worked for you. Hang in there with your original publications! Romance is certainly publishable through KDP too, as we’ve discussed, not just erotica.
As for me, I have always been a major daydreamer. A few months ago, I had a persistent daydream loosely based on something I saw in a movie (I don’t want to say which film because of potential legal complications. You know how it is….). Then, my “what if” powers kicked into overdrive as in, “What if this character was X instead of Y? And what if those two characters were a couple? And what if they were falsely accused of a crime?” etc. From these whirling thoughts, Joey & Johnny emerged. So I swallowed my fear and inhibitions to write a short story that ended up being a novella. When I hit that publish button, it was one of my most nerve-wracking writing experiences to date. But now I generally look forward to releasing the next installment, or short story as the case may be. I guess you could say I’ve happily lost my erotica writer virginity. Now I’m a happy literary harlot. :)
Like so many things in life, that novella was meant to be a one-off, but I fell hopelessly in love with “the boys” and thought, “What if I give them the opportunity to go to Bangkok?” Of course, being an improvisational writer, my story got too long before they even got on the plane so I had to write an in-betweenquel instead of a prequel or sequel, And the next thing you know, I’m up to nine novellas and counting just for those two characters. Have you had characters that just refuse to go away and demand a sequel (or several…)? One of the many joys of being a writer…
Alas, novellas are a poor market, so I have to make myself write shorts before firing off another one. It’s a good incentive to write anyway. When I finish a more mercenary story, I treat myself by writing a Joey & Johnny story.