To Love and to Loathe

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To Love and To Loathe is the follow-up to Martha Waters’ 2020 début historical romance, To Have and To Hoax.  Our reviewer was less than impressed with it, citing problems with the premise and immaturity of the leads, and overall, reviews were mixed. With so many other books to review on my plate, I didn’t get around to reading it, so I can’t offer an opinion.  But I wanted to give the author a try, so I picked up this second book in The Regency Vows series, because I am a sucker for that whole Beatrice and Benedick sparring-couple-who-are-desperately-in-love-but-would-deny-it-to-the-death thing.  And I’m glad I did, because To Love and To Loathe is funny, clever and sexy, featuring complex, well-rounded characters and incorporating pertinent observations about the nature of privilege and the unfairness of the patriarchal norms and laws that deprived women of autonomy.

At the age of eighteen, the Honourable Diana Bourne is well aware that most men are fools, but a man doesn’t need to be clever to be possessed of a hefty fortune, which is exactly what she’s looking for.  Since the death of their parents, she and her brother have lived with relatives who have seen her as nothing but a burden and who resent the expense her presence incurs.  So Diana is determined to snare a wealthy husband so she will never have to worry about something as vulgar as money ever again.

The one tiny glitch in her plan is her brother’s best friend, Jeremy Overington, Marquess of Willingham, who while just as much of a fool as every other man, is nonetheless a massively enticing fool who has only to walk into a room to turn the head of every woman in it – and set Diana’s heart beating just a bit faster than she would like.  But no matter how handsome and charming Jeremy is (or how strongly she’s attracted to him), he’s irresponsible,  overly fond of drink and women, and – most importantly – almost broke, so he won’t suit Diana’s purposes at all.

A few years later, Diana is a wealthy widow and Jeremy is still cutting a swathe through the beds of the bored wives and widows of the ton.  Their inability to agree on anything is widely known throughout society, as is the fact they’re engaged in a game of one-upmanship involving a constant barrage of well-aimed barbs and cleverly chosen put-downs.  On one particular evening when Willingham again scoffs at the idea of matrimony, Diana impulsively wagers him that he’ll be married within the year – or she’ll pay him the sum of one hundred pounds.  Of course, Willingham accepts – and only afterwards does Diana realise it was perhaps not the wisest thing she’s ever done, because honestly, she can’t see him marrying in the next twelve months, either.

Shortly after the wager is made – and just before Diana is to travel to Jeremy’s country estate for his annual house party – he comes to her seeking her help on a very delicate matter.  His most recent mistress implied he couldn’t satisfy her in bed – and Jeremy can’t get her accusations out of his mind.  Looking for reassurance, he turns to the only woman he knows he can rely on to tell him the absolute truth – and suggests to Diana that they embark on a brief affair during the house party.  Diana isn’t inclined to agree to this – until he points out that a discreet affair with him will send the right signals to other gentlemen that she is interested in taking a lover.

“I’m not certain that the signal I’m looking to send is that I’ve joined the legion of women who’ve lifted their skirts for the Marquess of Willingham.  I’m surprised they haven’t formed a society. With matching hats.”

She’s still not convinced – until Jeremy points out:

“If nothing else, it would finally dispel whatever this is between us,” he added, waving his hand at the space between them… “And don’t tell me you don’t know what I mean… Because I know you do.”

Of course as any romance reader knows, the old let’s-do-it-once-to-get-it-out-of-our-systems chestnut never works the way the participants intend it to.  Diana and Jeremy are obviously head-over-heels for each other from the get-go and have been that way for years, but there are obstacles preventing both of them from fully acknowledging the truth of their feelings for one another – obstacles that feel authentic to who these two people are; flawed but immensely likeable characters who learn about themselves as they gradually reveal more of their true selves to each other.

I really liked that Diana and Jeremy were so clear-sighted about each other, even as they had things to learn about one another.  Jeremy viewed the younger Diana’s eagerness to marry as somewhat mercenary, but didn’t know the reasons behind it; Diana suspects Jeremy is hiding his intelligence behind the wastrel he presents to society, but hasn’t fully understood the depth of his grief and anger over the death of the older brother who left him with a title and responsibilities he’d not been brought up to and didn’t want.  They’re both perspicacious and fully up to each other’s weight when it comes to their ‘merry war’, and their chemistry as they snark and flirt their way towards their HEA is terrific.

I liked them individually and together.  Diana is clever and funny and her status as a widow means she’s allowed more freedom to do as she wants than an unmarried woman would be, so her reluctance to consider giving up her independence in another marriage is understandable. And I loved Jeremy, a decent, considerate, generous man who has spent years making certain no-one would ever expect anything of him or take him too seriously because of his deep sense of unworthiness.  Their inner conflicts are very well articulated and I loved watching them come to a greater understanding of one another.

I really enjoyed the book, but there are a few things that keep it just out of DIK territory.   Part of Diana’s plan to win the wager involves her trying to find someone else to get Jeremy married off to – and she decides to throw him together with Lady Helen, a young woman known to be desperate to find a husband and who is widely disliked.  Hints are dropped that Lady Helen is not what she seems, but Diana doesn’t know this and her determination to marry the man she loves (even if she isn’t ready to admit to it) to a young woman who is so patently wrong for him and would make him utterly miserable just didn’t sit right with me.  I get that it was a mark of Diana’s desperation not to admit to how she felt about Jeremy, but it felt childish and petty.

The Big Mis that occurs near the end is a misfire, and I wasn’t wild about the amount of time given to setting up a future book in the series, which interrupted the flow of the main narrative. It’s well done and skilfully integrated into conversation and multi-character scenes, but I could still have done with a bit less of it.

All in all however, To Love and To Loathe is great fun. The writing is crisp and clever, the characters are engaging and the dialogue sparkles.  For those of you who – like me –  have been struggling to find really good historical romance lately, I’m happy to say that it’s well worth a look.

Buy it at: Amazon, Audible, or your local independent retailer

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Reviewed by Caz Owens

Grade: B+

Book Type: Historical Romance

Sensuality: Warm

Review Date: 04/04/21

Publication Date: 04/2021

Recent Comments …

  1. excellent book: interesting, funny dialogs, deep understanding of each character, interesting secondary characters, and also sexy.

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Cece
Cece
Guest
04/05/2021 9:13 pm

Yay! Very glad to see this get such a high grade here. I have this book preordered and I can’t wait to read it.

For anyone considering the first book in the series, I’d caution them that it’s a somewhat unusual story, particularly given the latest generation of historical romance. Most of the conflict revolves around layered misunderstandings and miscommunications, which aren’t en vogue at the moment, and the immature pranks of the premise often force the main characters into “unlikeable” positions. The hero and heroine’s friend group acts like a Greek chorus and their frustration, irritation, and bafflement with the main couple may reinforce a critical reading. Scrolling through the Goodreads reviews, To Have and To Hoax seems like a polarizing romance — I happened to love it & laughed out loud a few times, but FYI.

Dabney Grinnan
Dabney Grinnan
Admin
04/05/2021 9:51 am

For those who’ve read this–and her other books–what would you like to ask her? She lives near me and is up for an interview.

Em Wittmann
Em Wittmann
Guest
Reply to  Dabney Grinnan
04/05/2021 3:23 pm

Was Friends an inspiration for this series, and if so, who is Ross? Rachel? Monica? Etc.

How does she feel about cartoon covers, and hers in particular?

How many books are planned in this series?

EM WITTMANN
EM WITTMANN
Guest
04/05/2021 9:36 am

Ha! I like the cover & it ties into the story. I don’t like the title! Nobody loathes anybody in this book. I preferred book one in general, but I liked the principal characters in this one just a smidge better. The “friends” are a big part of this world and I liked them better in To Have and to Hoax. I’m looking forward to book 3.

Last edited 3 years ago by Em Wittmann
Susan/DC
Susan/DC
Guest
04/04/2021 9:06 pm

Can’t say I love this cover, but it’s way better than the cartoon covers on “The Duke Undone” or “A Lady’s Guide to Mischief and Murder”.

Anita Goldbaum
Anita Goldbaum
Guest
04/04/2021 11:14 am

Thank you for the review of this book and an introduction to a new author. I was lucky to find my local library has both books and I have put them on hold. Look forward to reading them. I have been re reading favorite books from favorite authors and will hopefully enjoy this new author venture.

Lisa Fernandes
Lisa Fernandes
Guest
04/04/2021 11:00 am

I am rarely an “I hate this cover” person, but God I hate this blobby cover.

I am, however, going to read this book! Good work, Caz!

Lisa Fernandes
Lisa Fernandes
Guest
Reply to  Lisa Fernandes
04/22/2021 12:28 pm

And having read more info how the book handles an outing suplot, yikes. Dropping this from my TBR.

Dabney Grinnan
Dabney Grinnan
Admin
Reply to  Lisa Fernandes
04/22/2021 1:17 pm

What are you referring to?

Dabney Grinnan
Dabney Grinnan
Admin
Reply to  Caz Owens
04/22/2021 2:54 pm

Got it.

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Marian Perera
Marian Perera
Member
Reply to  Caz Owens
04/23/2021 6:54 am
Spoiler
According to the review on SBTB, the queer character, Helen, comes out to Diana “in an extremely unlikely manner”, and although Diana agrees to keep this a secret, she then tells all her friends, even though this seriously endangers Helen. Later, Jeremy is amused to find that Helen is a “sapphist” and decides to marry her anyway so that he can father an heir on her while still keeping Diana as his mistress. Diana, on hearing this plan, outs Helen to Jeremy, not realizing he already knew.

Marian Perera
Marian Perera
Member
Reply to  Caz Owens
04/23/2021 9:31 am
Regarding an heir, the SBTB review says, “Jeremy’s WTF rationale is that since he loves Diana, and wants to be with her after the house party, he will ask Helen to marry him, explain that he knows about her lesbian lover, and then convince (or trap?) her into marriage so he can have an heir, and keep Diana as his mistress.” I haven’t read the book, so I can’t say anything about this one way or another.

But I see what you mean about his feeling that marriage to someone else (who doesn’t want or expect fidelity from him) plus keeping Diana as a mistress is the only way to be with Diana.

Lisa Fernandes
Lisa Fernandes
Guest
Reply to  Caz Owens
04/23/2021 1:38 pm

Hmm. Will think it over more but yeah.

Kathy W
Kathy W
Guest
04/04/2021 10:33 am

It’s been a bit of a desert so I was happy to have an opportunity to purchase something promising. I gulped a bit at the pre-order price ($11.99 USD) but marched on with it to support the author. Thank you Caz for another thoughtful and comprehensive review!