The Midnight Bargain

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Women’s fiction hides under the guise of fantasy and romance in The Midnight Bargain, a sometimes clever but disappointingly never wise, novel.

Beatrice Clayborn is in town for bargaining season in Chasland, aka The Season in Regency England + Magic. She wants books not a husband, because a husband will put a literal collar on her after marriage to keep her from doing magic whereas books – of a special kind – can teach her how to summon spirits that specialize in luck, fortune, or knowledge. These spirits offer their specialty in exchange for the chance to live within their summoners’ bodies for periods, “ride” in them and, to a degree, dictate their actions. Beatrice needs luck and fortune in particular, because her family is going swiftly broke. In pursuit of one such book, Beatrice encounters Ianthe and Ysbeta Lavan, siblings of great wealth and influence from a neighboring (and far more modern in its gender roles) country. Ysbeta and Beatrice strike up an alliance and Ianthe and Beatrice strike up a romance.

There’s very little of the magical in the magic of this book. For a fantasy, we glimpse few of the possibilities of magic beyond the binding of spirits, which comes across as a creepy form of semi-possession. There aren’t enough of the subtle, original, pockets of wonder that define truly imaginative fantasy; I can recall off the top of my head one artistic image conjured from smoke and one self-fanning fan in this book, but that’s it. Magic in The Midnight Bargain is like a sharp knife or a full wallet – a tool of power, not art. Polk’s decision not to expand on the magical element of the world is a missed opportunity.

Much like an assembly ball in a small town where all the attendees are irritatingly familiar, the characters in this tale are interchangeable with any of the characters in the deluge of regencies released in the past few years. Beatrice is a woman trapped in a man’s world, her father utters gems like “Displaying too much cleverness can make a woman seem less appealing” (which I’ve come to expect in these books as much as the ‘I Love You’ between lovers), and Ianthe is The Perfect Egalitarian Man, although his claim of the title is an empty victory seeing as every other man of marriageable age is a misogynist or oblivious. This book is about as subtle as a child jumping onto its parents’ bed in the morning screaming ‘ARE YOU AWAKE YET?’. Beatrice’s country is so horrible that the men even eat evilly; Ysbeta’s intended actually eats songbirds, chewing “the little creature whole, his teeth grinding the delicate flesh and fragile bones to morsels”.

The story is told in third person, which chaperones Beatrice for its entirety. The chapters are long, but the writing itself is a deft balance of intelligent and unpretentious. Polk paces the story well, and creates believable obstacles and twists in the story, until the last act, which is rushed and has solutions materialize out of thin air. The romance between Ianthe and Beatrice is a weak B story – it doesn’t get the page time it needs to compete with Beatrice’s friendship with Ysbeta and Beatrice’s magic-related aspirations.

There’s a lot in this novel that could be thought provoking; the ethics of binding a spirit and the nature of what it means to possess and be possessed are both things I wanted The Midnight Bargain to reckon with – but there’s a sense that the story isn’t so much avoiding its more complex questions as it is unaware of them.

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Reviewed by Charlotte Elliott

Grade: C

Book Type: Fantasy Romance

Sensuality: Kisses

Review Date: 02/11/20

Publication Date: 10/2020

Review Tags: AoC Historical Fantasy PoC

Recent Comments …

  1. excellent book: interesting, funny dialogs, deep understanding of each character, interesting secondary characters, and also sexy.

Part-time cowgirl, part-time city girl. Always working on converting all my friends into romance readers ("Charlotte, that was the raunchiest thing I have ever read!").

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Caryl
Caryl
Guest
04/08/2021 11:28 am

I recently read this book, after seeing Kirkus Reviews recommended it. While agreeing with some of the reviewer’s comments, I think a C is overly harsh.

I found the world-building beautiful and horrifying: the exploration of the low status of women both socially, which we are accustomed to “reading over” in regencies, and magically helped underline the first.. Also, while the reviewer commented aptly on the male characters, the female characters, primary and secondary, were fascinating and varied.

Finally, the descriptions of the clothing sounded lovely!

Anonymous
Anonymous
Guest
11/03/2020 7:21 am

Eating ortolans (little songbirds) is/was a real thing in France for a long time. Hunting ortolans was banned in 1999, but apparently it was not reinforced strenuously until maybe very recently.

https://en.wikipedia.org/wiki/Ortolan_bunting#As_food

Lisa Fernandes
Lisa Fernandes
Guest
11/02/2020 1:48 pm

Huh, that’s a shame – I’ve been looking forward to this one.

Marian Perera
Marian Perera
Guest
11/02/2020 11:35 am

“Ysbeta’s intended actually eats songbirds…”

Maybe those were an appetizer, and for the main course he had a kitten sprinkled with butterflies?

JTReader
JTReader
Guest
11/02/2020 8:17 am

Thank you for the review. The book looked intriguing, but I’m going to pass.