The Maiden and the Unicorn

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Many historical romance novels are the literary equivalent of a Renaissance festival – diverting, but bearing little relationship to actual history. With good reason: most people are not interested in seeing or reading about the dark and gritty side of life when they are seeking entertainment and escape, and there’s a lot of darkness and grit in real human history. And I’ll admit that I, too, enjoy the fantasy version of historical settings where no one has bad teeth, everyone bathes regularly, and all live to a ripe old age without succumbing to plague or childbirth.

But reading The Maiden and the Unicorn – which portrays the historical setting with accuracy about as dark and gritty as it gets – reminded me that sticking to the fantasy version can deprive one of real emotional depth. After all, when the vast majority of marriages were made for pragmatic reasons of politics and survival, and when life could be forfeit for merely having the bad luck to have ambitious relatives, what could be more amazing and wonderful than finding oneself with a true love?

In The Maiden and the Unicorn, Isolde Martyn has not only created a compelling love story between a wonderful hero and heroine. She also portrays the complicated dynastic plottings behind the 15th century Wars of the Roses in a way that makes the history come alive.

Margery is a ward and servant in the household of the Earl of Warwick, the Kingmaker who once put Edward of York on the throne and now plots to remove him. She finds herself playing a key role in the midst of the extremely convoluted plots swirling about the houses of York and Lancaster, the kingdoms of England and France, and within her own family. In the midst of all of this, she is married off to Sir Richard Huddleston, a man who both attracts and terrifies her, and who may very well be playing his own role in these intrigues – and not on the same side as her, either.

If you slept through your English history classes, and know nothing about real medieval life, you’ll find The Maiden and the Unicorn hard to follow. Ms. Martyn does not cut much slack in this area – the reader is thrown into the midst of very complicated political schemes, but the rewards are there if you can keep up. To be perfectly honest, I sometimes lost track of the players and the sides, but the wonderful characters and dialogue kept my attention.

This is not one of those books where the dialogue has the occasional “Tis” and “My lord” for “flavor words.” The dialogue is rich and evocative, and gets into your head to the point that returning to the modern day world after an afternoon of reading takes some time. On top of all of this, the romance between Margery and Richard is deeply felt, passionate, and believable. The couple has real issues between them; Margery has been forced into marriage and resents and fears her virtual enslavement deeply. The shifting relationships between Margery and her guardian and family, and between Margery and Richard, are realistically portrayed.

Ms. Martyn’s accomplishment is all the more striking when you realize that Margery, Richard, and Margery’s family, as well as the more famous players (the Kings of England and France, the exiled Lancastrian Queen, the future Richard III and others) were all real people, and many of the events portrayed really took place. Ms. Martyn takes the somewhat thin historical record of Margery and Richard’s lives and fills in believable portrait of how things might really have been.

If you were entranced by the playful language of Shakespeare in Love, and fascinated by the deadly political intrigue of Elizabeth, you’ll find The Maiden and the Unicorn a book to savor.

Reviewed by Colleen McMahon

Grade: A

Sensuality: Warm

Review Date: 11/08/99

Publication Date: 1999

Review Tags: 1400s arranged marriage

Recent Comments …

  1. excellent book: interesting, funny dialogs, deep understanding of each character, interesting secondary characters, and also sexy.

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