TEST
The Duke Goes Down is the first in Sophie Jordan’s The Duke Hunt series. In it, Imogen Bates, local vicar’s daughter, uses rumors to keep her childhood bully, Peregrine Butler, the Duke of Penning before finding out he is illegitimate, from successfully courting an heiress. I generally enjoy Sophie Jordan’s writing, but the pacing here is uneven, and while the characterization of the heroine is strong, that of the hero is less so, and the plot often veers dangerously close to silliness.
This novel opens with a few flashbacks to Imogen and Perry’s childhoods, told from Imogen’s point of view. We see them meet for the first time, and then their last real interaction before the main story begins. In both flashbacks, Perry is unnecessarily cruel to Imogen and dashes her hopes of a mutual friendship.
Ten years later, Perry is no longer the Duke of Penning as it has been discovered that though his parents were married, they were NOT married at the time of his birth. He is suddenly without a title, without a home, and without funds, so he decides his best course of action is to court a local heiress. That endeavor is going well, and this is something Imogen will not tolerate. Because of Perry’s past behavior and the fact that he no longer has money, prospects, and is living with his mother, Imogen decides the women in the town deserve the chance of a better husband – and at the very least, one who isn’t marrying them for financial gain. She starts a few rumors about Perry – his hair isn’t real, he has twelve toes, and he’s a bad kisser – and suddenly, the debutantes once lining up to dance with him want nothing to do with him. Once Perry hears of the rumors, it doesn’t take him long to deduce who has spread them. He confronts Imogen about them, but ends up kissing her to prove her assertions about his lack of kissing prowess completely wrong. It is only after another encounter in which Perry proves what he CAN give a wife – pleasure – before immediately and inadvertently insulting her, that Imogen is finally convinced to about righting her wrongs and correct the rumors.
Imogen is a very well fleshed out character. I got to know her quite well as I read the story, but I didn’t always like what I read. Her inability to get past Perry’s previous behavior when they were children comes across as petty and immature. Yes, he said rude things, but children do that. Her devotion to her father and the townspeople help balance that aspect of her personality out a bit. Perry, on the other hand, is much harder to pin down as a character because we are not really shown how losing his title has affected his life or his feelings but are just told instead. I would’ve liked more scenes of him as just a ‘regular person’ rather than what we got, which is seeing everyone in town still treating him exactly the same as before.
I won’t lie: the rumor part of the plot is amusing in a messed up kind of way, and it does give Perry an organic reason to seek Imogen out. It also gives Imogen the opportunity to grow up a bit and put childish hurts behind her.
This is not an overly plot-driven title, although a few more dramatic scenes do occur, and because of this, the story drags in some places, mostly before Perry and Imogen begin to realize they are attracted to one another.
I am a big Sophie Jordan fan and while her titles are often fun and frothy, this one just didn’t work for me. Uneven pacing and lack of character growth on the hero’s part kept me from enjoying it as much as her other works.
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Grade: C
Book Type: Historical Romance
Sensuality: Warm
Review Date: 09/08/21
Publication Date: 07/2021
Recent Comments …
Yep
This sounds delightful! I’m grabbing it, thanks
excellent book: interesting, funny dialogs, deep understanding of each character, interesting secondary characters, and also sexy.
I don’t think anyone expects you to post UK prices – it’s just a shame that such a great sale…
I’m sorry about that. We don’t have any way to post British prices as an American based site.
I have several of her books on my TBR and after reading this am moving them up the pile.
Julia Quinn’s Mr. Cavendish, I Presume is also about a man raised to be a duke but then loses the title when it turns out that a cousin, presumed illegitimate, is in fact the legal heir. I liked the book and it sounds like she did a better job than Jordan in giving a sense of what it means to have one’s identity and sense of oneself upended.
I keep hoping Sophie Jordan will rebound for me. But her historicals and contemps have just flatlined for me.
Um. That title…
Also, that series title. When said in an English accent, The Duke Hunt can sound like a really nasty insult.
Someone at Avon really should have caught that one.
Haha, I can’t unsee/hear that now, Caz!
I gave up on Sophie Jordan’s books some years ago, when they got too ridiculous for me, just like Tessa Dare’s.
I loathe those ‘wink, wink, look at me, I’m so clever’ titles.
Same here, on both counts. And with this one, it has a not-at-all posh connotation in that the phrase “you’re goin’ DAAHN” is very “Eastenders”. So all I hear when I read it is “The Duke goes DAAHN”.
OMG, I can’t believe I missed that one too! The old ‘you’re goin’ daahn’ so beloved of the Sweeney etc. (Translation if needed: You’re going to prison.)
I just got stuck on the blowjob reference…………..
I got stuck on that too and started imagining the next title in the series. The Earl Eats Her Out?
“shudders”
My thoughts exactly….
It HAS to be intentional.
I just read a book called “The Duke Made Me Do It” for review. Publishers – they are going for the cheek.
And sadly, don’t have the intelligence to realise that it comes off as stupid rather than cheeky.
Here, here Caz!!
And in the above instance: gross.