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A Duke Changes Everything is the first book in Christy Carlyle’s new series set in the early Victorian Era. It features a reluctant duke who happens to own a successful London gaming club – seriously, nineteenth century London – the historical romance edition – not only has about a million more dukes than could feasibly exist, but it seems the entire city consists of gambling establishments owned by aristocrats. It’s become such an over-used character type that my eyes are starting to glaze over whenever I read a synopsis in which the words ‘duke’ (or earl) and ‘gambling club’ appear in the same sentence.
Anyway. This particular duke has absolutely no interest in being one. Nicholas Lyons is the second son of the Duke of Tremayne, who, from the sound of it, was completely insane. Believing Nick to have been the product of his wife’s infidelity, the old duke hated his younger son and subjected him to unbelievable cruelty before the duchess was able to get them both away to France. When she died, Nick was just sixteen and he returned to England penniless, determined to make his own way and wanting nothing whatsoever to do with his family. After his father died, the title passed to Nick’s older brother, Eustace – and it’s the latter’s recent death that sees Nick now saddled with a dukedom and attendant duties and estates he doesn’t need or want. His memories of Enderley Castle are far from happy ones, and so naturally, the last thing he wants is to set foot in the place, but he knows he’ll have to if he’s going to carry out his plan of selling everything of value, setting the place to rights and then leasing it out.
Mina Thorne has lived at Enderley her entire life, and seeing the previous duke took no interest in the place, took over her late father’s role as steward. She’s highly competent and genuinely cares for the land and its inhabitants, although naturally the local gentry shake their heads disapprovingly and insist it isn’t proper for her to hold such a position.
After Nick and Mina’s initial meeting – Nick arrives at the estate a day or so before he’d originally intended and comes upon her while she’s stuck up a tree rescuing a very pregnant cat – the story focuses on developing their working relationship and subsequent romance. Nick tells Mina he’s only going to be at Enderley for a couple of weeks, for as long as it takes for him to assess the situation, see what can be sold and order whatever repairs are needed to make the place fit for habitation; while Mina is determined to persuade him to take up residence, or at least keep the house and lands rather than rent them out. She decides the best way to do this is to show him the best of the place – the house, the grounds, the local farms, where some tenants have adopted more modern methods of working in order to get the job done. This obviously allows them to spend time getting to know each other, too, and the chemistry between them simmers along nicely, both of them acknowledging that their mutual attraction is unwise, but also unable to ignore it.
I liked the way that they gradually come to trust each other and Nick begins to tell Mina what he went through as a child. They converse intelligently, and there’s a sense of admiration and respect developing between them at the same time as their attraction builds. The trouble is, though, that there’s nothing to make this novel stand out from the plethora of other, similar ones – of which there are more than you can shake a stick at. The conflict in the story is mostly external, provided by a nasty, horse-whipping neighbour and a disgruntled former patron of Lyon’s club who is out for revenge, both of whom are dispensed with fairly quickly. Nick and Mina are decent people but are fairly bland in spite of the author’s attempts to make them interesting. Nick is another in a long line of heroes who had a truly craptastic childhood, pulled himself up by his bootstraps and believes himself to be a veritable monster and all-round terrible person – scarred, ruthless, dangerous – but really, he’s just a big old softie who’s nowhere near as mean as he thinks he is, unless it’s to give someone their just desserts (like people who won’t or can’t pay their gambling debts, who deserve exactly what they get as far as I’m concerned). And Mina was, supposedly, constantly told by her father that she wasn’t ladylike enough, that she was too emotional and impulsive – but it’s a case of telling and not showing. Other than her becoming a steward – which didn’t happen until after her father died – none of those criticisms are supported by her actions. She tells us on a few occasions how hard she’s always striven – and still strives – to curb those tendencies, but she doesn’t really display any of them.
This is very much a character-driven story, which I appreciated – but the author’s attempts to introduce some last-minute drama by means of a mini-misunderstanding and a scenario involving completely unnecessary peril fall totally flat, and by the time I got to the epilogue wherein Lyon’s turned into a nineteenth century version of Dragon’s Den (which was, as the series title is The Duke’s Den, I suppose inevitable) I was clichéd out.
A Duke Changes Everything is a decent read and the central romance is well done, but it’s pretty unoriginal. I can’t say I wasn’t engaged by it while I was reading, but I know I won’t remember much – if anything – about it a week from now.
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Grade: C+
Book Type: Historical Romance
Sensuality: Warm
Review Date: 29/11/18
Publication Date: 11/2018
Recent Comments …
Yep
This sounds delightful! I’m grabbing it, thanks
excellent book: interesting, funny dialogs, deep understanding of each character, interesting secondary characters, and also sexy.
I don’t think anyone expects you to post UK prices – it’s just a shame that such a great sale…
I’m sorry about that. We don’t have any way to post British prices as an American based site.
I have several of her books on my TBR and after reading this am moving them up the pile.
Give me an Agent of the Crown any day over Aristocratic Criminals, but honestly when it comes to Peerage Heroes I’m happy with the urbane “Man about Town”.
And the “urbane Man About Town” is probably far more historically accurate than any of those other character-types.
Too true. Why is it that authors feel obliged to give their heroes (and heroines) some odd and unlikely occupation? Couldn’t they just work a bit more on character development and make them unique as individuals?
Jane, I think you’re completely right. But I suspect it’s a case of The Powers That Be thinking that readers will be bored if their H/hs are just “normal” aristocrats and encouraging authors to give them something else to do, just as they seem to want all their HR authors to make their heroes dukes. Even the bigger name authors are now putting out two books a year – Lorraine Heath and Mary Balogh both had two this year, I think – and I can’t also help thinking that the push to put out more books a year is having a deleterious effect on HR, which – in general – require more research than contemporaries, and must require an author to be able to put themselves into a different mindset as they write. As I’ve said several times elsewhere, HR has made a pretty poor showing this year and I’m struggling to include more than 3 or 4 HRs on my 2018 Best of list.
What is with peers owning gambling establishments? I really hope this trend dies a fiery death sooner than later.
I know! You used to get the odd one or two cropping up here and there, but now, it’s every other book! Authors, this Bandwagon is way overloaded. Find something else.
I don’t know why that’s become a trend but I swear there are at least three series running about members of the peerage secretly running brothels/gambling parlors/dens of iniquity.
Only three?! It seems way more than that to me, but then you might be right if they’re series and all the heroes have a stake in the place…
Too bad this one wasn’t particularly unique! Sounds like another ‘perfectly okay but not grand’ kinda stories!
Yeah. Like I said, it wasn’t hard to read, but that’s about all I can really say about it.