What would you like us to review?
Thanks to the generosity of publishers and authors, the AAR staff has a wide variety of books they can choose to review. (We don’t assign books–reviewers can pick from our currently available list.) I thought it would be instructive for us to share with you, our readers, the current list of books we could review that are coming out in the next six months. (I can’t swear that all the dates are correct–they change routinely.)
Here you go. Look it over and, in the comments, let us know the books you wish we’d cover. (We are, sadly, limited by our number of reviewers and how much time they can offer to AAR.)
A. S. Fenichel | Not Even for a Duke | 9/13/21 |
Melinda Leigh | Right Behind Her | 9/13/21 |
Robyn Lucas | Paper Doll Lina: A Novel | 9/15/21 |
Christina Hovland | There’s Something About Molly | 9/19/21 |
Stephanie Garber | Once Upon a Broken Heart | 9/27/21 |
Zoe York | Wild at Heart | 9/27/21 |
Lili St. Germain | The Field of Wrongdoing | 10/12/21 |
Bronwyn Scott | Lord Tresham’s Tempting Rival | 10/13/21 |
Caitlin Crews | The Bride He Stole for Christmas | 10/13/21 |
Susan Hill | A Change of Circumstance | 10/15/21 |
Sarah Lark | The Legend of Fire Mountain | 10/15/21 |
Nina Croft | Insurrection | 10/18/21 |
Dahlia Rose | Mistletoe in Juneau | 10/19/21 |
Eva Devon | The Wedding Wager | 10/25/21 |
Sally Hepworth | The Younger Wife | 10/25/21 |
Christina Hovland | April May Fall | 10/26/21 |
Karen Kingsbury | Forgiving Paris | 10/26/21 |
Kelly Jamieson & Garland Grove Books | Hate Me Under the Mistletoe | 10/26/21 |
Adriana Herrera | Just for the Holidays… | 10/26/21 |
Michael Connelly | The Dark Hours | 11/9/21 |
Charlie N. Holmberg | Star Mother | 11/15/21 |
Constance Gillam | The Hookup Dilemma | 11/16/21 |
Briana Cole | Couples Wanted | 11/30/21 |
Kristen Ashley | Dream Keeper | 11/30/21 |
Elle Cruz | How to Survive a Modern-Day Fairy Tale | 11/30/21 |
Scarlett St. Clair | King of Battle & Blood | 11/30/21 |
Louise Allen | The Duke’s Counterfeit Wife | 11/30/21 |
Kris Ripper | The Life Revamp | 11/30/21 |
Jen Frederick | Seoulmates | 12/6/21 |
Susanna Craig | Better Off Wed | 12/28/21 |
Megan Crane | Bold Fortune | 12/28/21 |
Christy Carlyle | Duke Gone Rogue | 12/28/21 |
Anna Bennett | Girls Before Earls | 12/28/21 |
Emily Sullivan | The Rebel and the Rake | 12/28/21 |
Allison Brennan | The Sorority Murder | 12/28/21 |
Maisey Yates | The True Cowboy of Sunset Ridge | 12/28/21 |
Michael Robotham | When You Are Mine | 1/4/22 |
Nikki May | Wahala | 1/5/22 |
Melanie Dobson | The Winter Rose | 1/11/22 |
Rachel Lynn Solomon | Weather Girl | 1/11/22 |
Jayne Ann Krentz | Lightning in a Mirror | 1/18/22 |
Anita Kelly | Love & Other Disasters | 1/18/22 |
Lauren Layne | Made in Manhattan | 1/18/22 |
Kaira Rouda | Somebody’s Home | 1/18/22 |
Lauren Accardo | Bold Love | 1/25/22 |
Cathy Maxwell | His Lessons on Love | 1/25/22 |
Kianna Alexander | Carolina Built | 2/1/22 |
Francine Rivers | The Lady’s Mine | 2/8/22 |
Hester Fox | A Lullaby for Witches | 2/15/22 |
Rebecca Ross | A River Enchanted | 2/15/22 |
Bethany Mangle | All the Right Reasons | 2/15/22 |
Deanna Raybourn | An Impossible Impostor | 2/15/22 |
Falon Ballard | Lease on Love | 2/15/22 |
Minka Kent | Unmissing | 2/15/22 |
Jane Ashford | Earl on the Run | 2/22/22 |
Vanessa Len | Only a Monster | 2/22/22 |
Eva Leigh | The Good Girl’s Guide to Rakes | 2/22/22 |
Harper St. George | The Lady Tempts an Heir | 2/22/22 |
Sophie Jordan | The Rake Gets Ravished | 2/22/22 |
Jennifer Probst | The Secret Love Letters of Olivia Moretti | 2/22/22 |
Paige Tyler | True Wolf | 2/22/22 |
Lynn Painter | Mr. Wrong Number | 3/1/22 |
Lisa Barr | Woman on Fire | 3/1/22 |
Libby Hubscher | If You Ask Me | 3/8/22 |
Debbie Johnson | The Moment I Met You | 3/8/22 |
Trish Doller | The Suite Spot | 3/8/22 |
Amanda Elliot | Sadie on a Plate | 3/15/22 |
Loreth Anne White | The Patient’s Secret | 3/15/22 |
Ellen Alpsten | The Tsarina’s Daughter | 3/15/22 |
Josie Silver | One Night on the Island | 3/24/22 |
Jenn Bennett | Always Jane | 3/29/22 |
Jesse Q. Sutanto | Four Aunties and a Wedding | 3/29/22 |
Jenny Colgan | Welcome to the School by the Sea | 3/29/22 |
Lorraine Heath | Girls of Flight City | 4/5/22 |
These are the books I would like to see reviewed here:
Lauren Layne: Made in Manhattan
Maisey Yates: The True Cowboy of Sunset Ridge
Jayne Ann Krentz: Lightning in a Mirror
Lorraine Heath: Girls of Flight City
Kristen Ashley: Dream Keeper
Will AAR be reviewing the new Diana Gabaldon in November?
Probably not. She doesn’t give advanced copies and her books are expensive!
Thanks, Dabney. <3
Star Mother by Charlie Holmberg!
I’d like you to review books I would like but don’t know about so that I will find out about them. How’s that for a helpful answer?
I like it!
Of the list above I would be most interested in the Jayne Ann Krentz and the Kristen Ashley books just to see a reviewer from AAR’s take on them.
I mainly care about getting a mix of genres and moods at AAR.
Because this way I end up dipping in where I would not go on my own, like m/m a few years ago.
Since the list above is authors & titles, many I do not know, I end up being fine with whatever you will choose, & hoping that you will go for variety.
I would love a comparison/contrast review of the Crews and the Crane: they’re the same person, but it’s interesting to read Crane unfettered by the requirements of the Harlequin Presents that Crews usually writes. But I do realize the publication dates of the two books are a bit too far apart to make that feasible.
I just read the Zoe York. It’s the third in her Kincaids of Pine Harbour series and I think you have to have read the two previous books to get the best reading experience. Also, although I’m a huge York (aka, Ainsley Booth) fan, I wouldn’t call WILD AT HEART her strongest work.
I’ve reviewed a couple of Crane’s RS titles and might pick up that new one. But I don’t generally read m/f CR, which is what I believe she writes as Crews. I think it might be quite difficult to write a comparison of books in two quite different genres though.
I didn’t realize Zoe York was Ainsley Booth!
Yes! The books she publishes under the Ainsley Booth name are usually erotic romances set in big cities (like her Frisky Beavers or Forbidden Bodyguards series), while the Zoe York books are usually set in small towns (like her Wardham and Pine Harbour series), they have plenty of steam but are much more focused on events in the community as well as the central romance.
Just FYI everyone – the Cathy Maxwell and Loreth Anne White are already out for review.
I’ve been following the Melinda Leigh series, but decided to review Right Behind Her in audio – short version, good story, narration was okay, but I think I’ll be sticking to print for the rest of the series!
I notice there aren’t many queer romances in that list, but so many of those are self-published (or published by small indie presses) that we don’t always get much advance notice of them. For those interested, I’ve got – or got my eye on – new books by Alexis Hall, KJ Charles, Annabeth Albert, Joanna Chambers & Sally Malcolm, Jay Hogan, Gregory Ashe (duh!), C.S. Poe, Lily Morton, Con RIley, M.A. Grant, Allie Therin, Garrett Leigh, Josh Lanyon and others.
That’ll be my list then! Is anyone going to give the A.J. Demas or Aster Glenn Gray a shot?
The only two on the original list that I might, possibly, be interested in are the Adrianna Herrera and Kris Ripper.
The Herrera is an m/f Harlequin Desire, if that makes any difference. The AGG is on my list, but it’s a “get to it when I can” I’m afraid, because I found out about it so late. As to the AJ Demas, again, they self-publish and we don’t have a relationship with them, so I don’t have access to that book. I did just get the first in that series though (it was a freebie at Amz) but it’s also on my “when I can get to it” list. 90-95% of my reading is ARCs these days so finding time to read All The Other Things is difficult!
I’ve been on the fence about the Ripper – I liked the last book and am interested in Milo’s story, but it’s a poly romance and honestly, I don’t know how I feel about those as I’ve never read one. Sorry if that sounds provincial – I’m just not sure if it will work for me. I’m still mulling it over.
Slightly off topic:
For an utterly beautiful poly, I recommend the Art of Three by Erin McCrae & Racheline Maltese. If anyone wanted to try one.
I was just checking to see if you’d mention the LGBTQ romances, so thank you. This would be about 80% of what I’ve been reading the past two years. I guess it says something that I don’t even recognize most of the authors on the list in the original post. I’m pretty out of touch with m/f romances these days, especially if it isn’t romantic suspense.
Hah – same here, although I never read much m/f CR anyway. Both AH and KJC have books out next year from major publishers, and there’s definitely more queer romance coming from them than there used to be, but the vast majority of it still comes from Indie presses and self-pubbing authors.
This is a fascinating take on M/M romance in romance.
https://sites.duke.edu/unsuitable/malemale-romance/
Hmm, so well-researched that they don’t realise that one of the male authors they cite is a woman…………………..
Do they really think that the sex in m/f romances is not ‘fetished’?
You beat me to that one! (About JL)
I think the fetishisation argument has some merit given that the was majority of m/m is written by women, and I’m sure you’ve seen as many reviews as I have that go something like “OMG so Haaaawt!!” There’s a very big name CR author who is now venturing into m/m and pretty much every review goes “this was my first m/m and OMG so hot!!!!!!” (I’ve listened to some and they’re all sex and no plot and read like m/f where the “f” is just substituted for another guy). I agree with what you say about ALL sex in novels being fetishised to an extent, but I do think it’s worse in m/m.
I thought it was interesting that one criticism is that the plot devices in m/m are often better suited to m/f. Same with the sex scenes some assert. I’ve heard it claimed that a lot of m/m readers find escaping the m/f dynamic more appealing than m/m per se.
I see a LOT of certain types of m/m offered for review that seem to bear that out (interchangeable plot devices) although I don’t go for those because that’s not why the genre appeals to me. That’s an interesting point about readers wanting to escape the m/f dynamic – although for me that’s been a side effect of reading more m/m. I can honestly say that I was drawn to it because the stories were much more appealing. I started with the good stuff – Joanna Chambers’ Enlightenment trilogy, then moved on to KJ Charles, Alexis Hall and others, so it was always the storytelling that drew me in. Had those first m/m reads been some of the drivel I see around, things might have been very different as regards my reading habits!
Yes, they’re hot because she gets all the best narrators!
Yep. But even they can’t make a silk purse out of a sow’s ear. I got a few chapters into one recently and was so bored I returned it to Audible.
I’ve read all these arguments before and yes, they have some merit, but this article lost me here:
“According to Brownworth, “queer writing gives queers their own agency in describing and portraying their own lives;” however, straight women who are unfamiliar with queer lives fetishize “the lives of gay men” (Brownworth). There are some women writers such as Erastes and Alex Beecroft, who sexually identify as gay men. In fact, Beecroft is married to a man and a mother of two kids. [FTL]”
My daughter is a longtime friend of Alex Beecroft (under her real name) and has even edited some of her books. She and Beecroft talk online for several hours weekly. For one, Beecroft has never identified as male other than to choose a male sounding pen name. Beecroft is married, but is agender/non-binary and uses she/they pronouns. In other words, they’re queer, so it’s a queer person writing queer romance. The fact is that this article’s outrage over straight women writing m/m loses some credibility when they get the facts wrong, PLUS seem to dismiss the possibility that a person assigned female at birth could be anything but a “woman.”
Another point I think they get wrong is to consider monogamy a heteronormative construct. I think it’s pretty clear the desire for long term relationships crosses gender/sexual orientation boundaries, or else why the F would the LGBTQ+ community fight so hard for marriage rights? I know the desire for marriage rights wasn’t universal in the LGBTQ+ community, but it was in the majority. Also, at least in most of the queer romances I read, the relationship dynamics and what we can expect of the characters is definitely different.
This article has been posted here before, and I’ve read it then and done more research and reading since. I’ve also read articles written in response by gay men who disagree with this POV and believe the availability and popularity of queer romances is mostly a step forward. Yes, I think m/m sex has been fetishized by some authors and readers, but so has m/f sex, especially in books considered dark or all those historicals dealing with virgin heroines.
In fact, I’d go even farther and say the stock characters in most fictional genres, police procedurals, courtroom dramas, military and most certainly suspense and thrillers also “fetishize” in that they are unrealistic portrayals there to feed our personal fantasies (not necessarily sexual fantasies, but fantasies about how the world works).
And do we really only want people to “write what they know?” I guess Anne Perry did murder someone so she has the right to write murder mysteries, but how many other authors are actually part of the field they write about? I mean, if you only write what you know, then I guess we shouldn’t have any more discussions about non-historians writing historical romances. If you don’t know the time period inside out, then should you be writing what you don’t know? My daughter and I were just discussing the problem with only wanting “own voices” representation in the disabled community. Many in that community, including her, believe we need more abled authors who are willing to learn about disabilities and write characters. The risk of some getting it wrong is outweighed by the exposure that a compassionate author can provide.
Of course there is such a thing as research, and any good author does it, whatever they are writing about, including good m/m authors.
That article was published in 2015 which seems an eon ago in the evolution of m/m romance. When I was reading primarily HR (about the same time the article was written), there weren’t too many historicals featuring m/m couples. There was also a disturbing trend to make the villains gay in order to show how “evil” they were; or gay characters were portrayed as weak or impotent (a frequent character was the virgin wife whose closeted husband was unable to consummate their marriage). When I started reading CR, I expanded my horizons and I would now guess my romance reading is about 50-50 m/f to m/m. I’m not saying that m/m romance (written in many cases by women and generally marketed to a female readership) is completely accurate about all aspects of gay male life—but I don’t think romance writers are “fetishizing” gay men any more than they are straight men. I do notice that some recent m/m romances are willing to tackle very difficult subjects—such as the horrors of “conversion therapy” or parents who disown their gay offspring. And we’re also seeing an expanded view of how gay men look—no longer are the MCs of m/m romances shown only as “straight-presenting” gym-honed athletic types with six-pack abs and rocking the Henley-jeans combination; I’ve read several m/m romances recently with heroes who like wearing dresses, lingerie, makeup, and it’s nbd. The wider the net, the more representation we’ll see.
Hey, Carrie and DiscoDollyDeb, I’ve opened up a topic on the Agora about all things m/m if you’d like to carry this discussion further. I think it would be great to have all these thoughts in one place. :-)
That’s one of many reasons why I like m/m. There is a greater diversity of heroes when it comes to body types, interests, behaviors, and personalities than what I have found in m/f. I’ve noticed that for all the calls for diversity, straight category romance heroes tend to have a tiresome sameness about them. You know the drill: 6+ feet tall/tallest man in the room, square jaws, broad shoulders, inexplicable washboard abs, in-charge personality alpha males. Whereas in m/m, there is room for heroes who are physically smaller, more lithe than muscular, fine featured, and “soft.” In a way, I get it. The average straight female romance reader probably doesn’t want to fantasize about a sleek, androgynous, beta male hero, and no major publisher is going broke giving their customers exactly what they want. But for those of us with minority tastes, there’s often more to be found in m/m than mainstream m/f.
Agreed. And I’ve found many more explorations of different sexualities in m/m – not just bi and non binary, but characters on the asexual spectrum, trans characters, aro characters – and of topics like ED and depression etc. As you say, Nan, in m/f the heroes are supposed to be a certain thing – and that’s fine, I mean, we all like a 6 foot, square-jawed hottie who can go all night from time to time, right? But the exceptions to that in m/f seem to be rare (and bear in mind, I speak as someone who doesn’t read a lot of m/f – most of my info is gleaned from reviews and blurbs and general book chatter, so I could be misjudging) and m/m – queer romance in general – offers more room for exploration.
The sheer amount of m/f romance allows for all kinds of explorations. It is safe to say, however, that traditionally published m/f is still often limited by, in particular, its depiction of heroes.
I think it has the potential for it… but rarely does it. And that’s fine, as Nan says, no publisher is going to going to stop giving readers what pays the bills. But it’s good that we’re now able to find pretty much whatever we want to read!
Here’s a different opinion:
https://medium.com/@sethnicholasking/a-gay-male-author-on-the-debate-on-whether-women-should-be-allowed-to-write-gay-male-fiction-9720d93743b2
“And side note to men who complain that women are sexualizing and objectifying male bodies: do you know who else has been sexualized and objectified, literally forever? Women have. By men. Do you taste that? It’s the aftertaste of our own gender’s medicine.
To sum it all up, gay men do deserve respect. Allies should come prepared. The legitimate concerns of gay men should be heard. That is all so true and obvious, it doesn’t even have to be said. But a lot of women are doing just that, by putting in the work as fair and helpful and supportive allies. I will fight and advocate for my LGBT+ community until the day I die, including in regards to who chooses to tell our stories, and how, and why. But that doesn’t mean I won’t join hands with, and give a fair chance to, anyone else who wants to join in on the parade, too. Let them try.”
Agree with WendyF, the MM list Caz has her eye on would be my list.
In the “What Would You Like Us to Review” list, I haven’t read a lot of these authors, and I’m not a fan of most of the ones I have read.
So from the main list, I would give the nod if they met any of the following criteria:
Mr. Wrong Number looks fun.
I’m reading an m/m right now with a Jewish lead, although so far (I’m just coming up on halfway) that isn’t playing a big role in the story. And I plan on picking up Annabeth Albert’s The Geek Who Saved Christmas, in which both leads are in their forties. The C.S. Poe book I just reviewed (Madison Square Murders features a neuroatypical character with an extremely unusual memory condition. That’s part of an ongoing series and I plan on reviewing more.
I loved the new C.S. Poe — so good. It looks like it will be an ongoing series, so I’m really looking forward to the series.
Yes, it’s definitely a series. I don’t know how many books, but I’m hoping for at least three.
1 – Trish Doller, The Suite Spot – because I adored Float Plan; one of the best CRs I read this year
2 – Bronwyn Scott, Lord Tresham’s Tempting Rival – MCs sound interesting and different “careers” for them both
3 – Megan Crane, Bold Fortune – just because I like stories set in Alaska
4 – A S Fenichel, Not Even for a Duke – because the blurb on Amazon details a H named Garrett Winslow as a Regency era duke and with that name he should be in a western!! Mentally I have given this a D+ based on very little information at all so I will be very interested to see what AAR’s reviewer has to say about it and I stand ready to admit my prejudice if it turns out to be an A+ book.
We actually have a review of the Fenichel waiting to go.